Buffalo Wild Wings Success

Thank you to all who came out to Buffalo Wild Wings or ordered from Buffalo Wild Wings using the IPAAFF coupon on Thursday, April 2. The event fundraiser was a success and we were glad to see large groups of people and lots of happy faces! We thank you all for your continued support and contribution to IPAAFF and hope to see you at our festival and events from April 20 to 24th.

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Film Preview: “Spilled (Soy) Milk”

Don’t miss out on the film screening of Changhee Chun’s Spilled (Soy) Milk on April 20!

The film is a documentary about the lives and experiences of Asian Americans right here in Ithaca, NY.

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Check out his film, Spilled (Soy) Milk on the first day of our festival!

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About the filmmaker: In his scopious career, Changhee Chun has completed collaborative productions on several feature films for major Korean production companies. In 1995, he signed on with Samsung Broadcasting Center (SBC) as a director and producer. Creating over thirty television documentaries and commercials, including the 1996 Atlanta Olympics, Chun gained a broad expertise of the technical and conceptual aspects for film and video production. As a freelance film director Chun developed over thirty commercial films, music videos and documentaries.

Chun continues to develop personal principles of characteristic film art, principles that encompass the challenge to students and filmmakers alike to contribute engaging art to mankind.

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How I Can Relate to IPAAFF by Rudy Outar

The Ithaca Pan Asian American Film Festival is an opportunity. It is an opportunity for Asians and Asian Americans to present something very close to them. They get to present their ideas of the world: how they perceive it and how they feel they are being perceived.

It is also an opportunity for me to help make history for the city of Ithaca, New York and potentially the entire upstate region. That is what this film festival is about. It is about giving people a chance to do something great, whether it be showing us their films or helping to organize the event.

I am not Asian or Asian American. I was born in Venezuela in South America and my parents are from Guyana, a small country adjacent to Venezuela. I come from a West Indian culture, which includes practicing Hinduism and listening to reggae. All that being said, it does not mean I cannot relate to some of the issues that face Asian Americans, which includes under and misrepresentation.

I want to play my part and help a minority group achieve their goals. Even something which may seem as small as a film festival for a small city in an obscure region of New York can have a monumental impact.

IPAAFF has given me a chance to work with some really great people, both professors and students alike. It is amazing to see how people of so many different cultures, Asian and non-Asian, can come together and create this film festival. This will be the first Asian American Film Festival for the city of Ithaca and it is amazing to see how many people really want this to happen. This is going to be an experience for everyone involved that we hope will leave an impact on people.

With this film festival, I hope to create a stronger bond between the community of Ithaca, including all the schools: high schools, universities, and colleges, and all of the surrounding area. I want this film festival to amaze people into wanting to create change, so minorities and Asian Americans can feel proud to be who they are.

We’re Getting Noticed!

Thank you to The Ithaca Voice for helping us spread the word about our event! The article highlights the mission of the Ithaca Pan Asian American Film Festival and includes the trailer calling for film submissions. Stay tuned for additional updates. We’re looking forward to reading more articles outlining our event!

Check out the article below:

http://ithacavoice.com/2015/03/ithaca-pan-asian-american-film-festival-slated-april/

“Missing in History” and Why It Matters by Phuong Nguyen

I often tell my students that change happens because ordinary people fight everyday to make it so. And in doing so, they make their own history. To kick off the first ever Ithaca Pan Asian American Film Festival, we will be screening a historic documentary by three Ithaca College students entitled Missing in History. After almost 2 years at IC, I, a professor in the Center for the Study of Culture, Race, and Ethnicity (CSCRE) and the coordinator of the Asian American Studies minor, finally got the opportunity to view this incredible short film. The filmmakers tell us from the get-go that they know almost nothing about this craft, but the next 15 minutes prove the exact opposite. These three women—one Chinese, one Filipina, and one White—bemoan the fact that IC is a predominantly white campus that doesn’t provide enough opportunities and spaces to challenge hegemonic thinking on race and ethnicity. In other words, people are legally liberated, but their minds remain colonized. There are student organizations like the Asian American Alliance, and there’s also CSCRE, but why, these students ask, is there no Asian American Studies?

Their labor was rewarded in 2013, when IC hired me to join CSCRE and coordinate the Asian American Studies minor. For that I’m grateful because it’s not often one gets paid for doing something they love while working with some of the best students out there. Protestors wrote letters, signed petitions, spread the word, built coalitions, and they created this 15-minute cinematic testimonial entitled Missing in History. It’s the first time I’ve ever heard of protestors making a video that encapsulated their demands in such humanistic fashion. It’s one thing for Asians to be missing from U.S. history books; it’s another when our society has ready-made ideologies to justify those exclusions. The racist philosophy that guided the historians of the old days stated that superior cultures (and individuals) have and make history while inferior groups lack it. This ersatz meritocracy led generations of people to assume that groups missing from our history books had excluded themselves by belonging to an inferior race, which explained their lack of consequential accomplishments.

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From left: Ithaca College alumnae Kristy Zhen, Kristiana Reyes and Kaitlin Hibbs are the filmmakers of the documentary “Missing in History.”

Lack of Asians in the U.S. history books can easily lead us to assume Asians have not lived in the United States that long. That’s a lie as Asians have lived in North America as early as 1763. Lack of Asians in U.S. history books can easily lead us to assume that Asian immigrants historically didn’t want to become American. That’s a lie as Asians were barred by law from entering the country, testifying in court against whites, marrying whom they wanted, and becoming U.S. citizens. The powers that be came up with every excuse in the book: Asians are sojourners who don’t want to settle here; the founding fathers never intended Asians to become U.S. citizens; we can’t admit more Asians to our university because we want more students who are well-rounded; we can’t promote Asians to leadership roles because we need leaders who everyone can relate to.

Lack of Asians in U.S. history books can easily lead us to assume that Asians lacked any artistic, political, scientific, or business ambitions until recently. That’s a lie, too, as we’ve had generations and generations of talented Asian Americans whose names we can barely remember because those who write our history books don’t want to spend precious book space telling us how Asian Americans, like other people of color, succeeded despite discriminatory barriers that kept many talented people unrewarded and unrecognized, leaving us only with a model minority myth that claims that past and present wrongs are irrelevant because Asians are only good at math and science anyway.

Ignorance is not bliss. The voices in Missing in History know that knowledge is more than just power; it’s a the key to survival, a way to counter the lies we were told throughout our lives all to justify a Eurocentric curriculum. Knowledge is their ticket to belonging and knowing their true place in American society and history. On Monday, April 20, we will invite the three filmmakers, Kristy Zhen, Kristiana Reyes, and Kailin Hibbs, to join us for a screening of Missing in History. And we, the beneficiaries of all the hard work this film marvelously captured, get to thank them in person.

What IPAAFF Means to Me by Kathlyn Quan

“What film has changed your life?”
“Joy Luck Club. It was the first time I ever saw someone who looked like me and challenged her identity on TV. I’ve never had that feeling before.”

That was one of the questions I was asked during my interview at San Francisco’s Center for Asian American Media (CAAM). I went into the organization, only able to list exactly one film about Asian Americans. After my internship, I had a list about a page long.

Being able to work at CAAM allowed me to be inspired, encouraged, and excited about all types of Asian American films whether I related to them or not. Even growing up in a diverse area of California, I was simply never exposed to these kinds of films and festivities that centered around Asian American culture and identities. Being able to be a part of something bigger was what I spent so many years discovering and learning about for my last year at Ithaca College.

When I came back to school, I knew I wanted others to be part of this community too. I wanted my friends and everyone around to feel the excitement of history and academia, passion and community all thrown into a week’s worth of celebration. As progress has developed on Ithaca Pan Asian American Film Festival, I am constantly challenged, frustrated, humbled, and appreciative of everything and everyone around me.

I learn every day about how businesses and organizations work, why hard work is so important, and most importantly, what it means to collaborate and work as a team. Projects such as IPAAFF show the best and the worst in people; I certainly know it has done that to me, but honestly, I’ve learned so much from these experiences and my teams.

Working with them reminds me why these festivals are so important. They bring people together about subjects that affect everyone. The more conversations we involve ourselves in, the more aware we become of these problems that do not belong to any one group. They differ between people, but injustice and inequality exists everywhere. While IPAAFF cannot represent them all, it opens a safe space for people to discuss and learn about everyday problems, solutions, and misunderstandings. Through dialogue, we face them together and that makes all the difference.